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Course Website:
http://www.class.uidaho.edu/thea101/.
The textbook is also found here.
Course Activity Fee:
The activity fee you were required to pay in
order to enroll in this course includes a script
for Hamlet, the online course text, and
all course paperwork.
Course Objectives:
The primary goal of this course is to introduce
you to theatre as a field that offers a unique
expression of human thought and feeling.
We also hope to develop responsive and
informed theatre audiences and advocates.
We propose to accomplish this through:
·
Encouraging an understanding of the dramatic and
theatrical impulse;
·
Examining dramatic literature, theatrical
presentations, and production methodologies;
·
Developing an appreciation of how theatrical
works of art reflect the societies/cultures that
create them;
We hope to instill in you an ability to
understand, analyze, and discuss--both orally
and in writing--works of dramatic literature in
performance from various periods and genres;
Finally, we wish to promote a comprehension of,
and sensitivity to, the creative processes and
aesthetic values inherent in theatrical works of
art.
Format:
The course utilizes a combination of Lectures,
Discussion, Group Work, & Student Projects and
Presentations.
On a few occasions, sections will meet in
the Hartung or KIVA Theatre.
These are either noted in the syllabus
and/or will be announced by your section
instructor.
Grading and General Course Policies:
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Play Reading
Quizzes (4 X
75pts ea)
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300pts
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2 Tests (100pts
ea)
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200pts
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2 Reviews of
Required Labs**
(100pts ea)
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200pts
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Group Project
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200pts
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Peer Evaluations
(Group Project)
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100pts
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TOTAL
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1000pts*
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**Required Labs are listed under the course
calendar and require attendance of all students
in the course.
You will need to see the two of listed
performances.
All productions have several performances
over the course of one or two weeks depending,
so plan accordingly.
You must stay for the entire show and you
will also be asked to write a 3-page review of
that production.
Your instructor will decide what else you
will need to do to prove that you attended.
Play Reading Deadlines:
Play titles have been listed in the course
calendar and can be found at Project Gutenberg,
or other web sites the instructor has announced.
These deadlines are typically accompanied
by a quiz, so be prepared.
The use of Spark notes or any other
web-content-reduction service will not
substitute for reading the play.
Attendance Policy:
A class roll will be taken daily.
Students are allowed 3 absences during
the semester.
A total of twenty-five (25) points will
be deducted from your cumulative score at the
end of the semester for each additional
unexcused absence.
There will be No Exceptions.
This course adopts the university
policies governing ‘excused absences’.
You are always responsible to make up any
assigned work you miss due to absence for any
reason. Unexcused
absences on Test or Quiz days will not be made
up and the Test or Quiz will be recorded as 0
Points.
There will be no Exceptions.
Late Assignments:
All assignments are due on the date listed in
this syllabus or as assigned by your instructor.
Late work is not accepted and will be
recorded as 0 points.
Extra Credit:
All students can usher once during the semester
for the Hartung performances and receive 25
extra credit points.
If you fail to show up for your
self-assigned performance, 50 points will be
deducted from your total points.
Students may also elect to see an
additional production by the Theatre Arts
Department or one produced in the region.
Productions done by organizations other
than the Theatre Arts Department require
instructor approval first and are in addition to
the required labs.
A written response/review of 1-2 pages is
also required.
You can receive up to 50 extra points for
this on a one-time basis.
There will be no exceptions.
Early Finals:
There is a final during finals week.
No early finals will be given without the
permission of the Dean of the College of
Letters, Arts and Social Sciences.
The final for this class is Tuesday, May
8, 2012 from 10am to 12pm.
Assignment Due Dates:
Written reviews are due the Friday following the
closing of that show.
Late papers are not accepted and will be
recorded as 0 points.
Chapter Reading Due Dates:
The following reading assignments will be
discussed in class on the following dates and
must be read by that time.
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Chapter
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Content
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Due Date
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Chapter 1
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Art & Artist
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January 13
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Chapter 2
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What is Theatre
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January 13
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Chapter 3
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The Audience
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January 18
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Chapter 4
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Methods of
Analysis
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January 18
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Chapter 5
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Writing Reviews
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January 18
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Chapter 6
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The Playwright
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January 18
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Chapter 7
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The Producer
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January 23
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Chapter 8
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The Director
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January 23
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Chapter 9
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The Actor
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January 27
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Chapter 10
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The Designers
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February 6
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Chapter 11
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Greek Drama
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February 20
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Chapter 12
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Roman Drama
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February 22
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Chapter 13
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Medieval Drama
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February 27
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Chapter 14
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The Italian
Renaissance
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March 5
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Chapter 15
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The English
Renaissance
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March 7
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Chapter 16
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Neo-Classical
Theatre
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March 21
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Chapter 17
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The Restoration
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March 23
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Chapter 18
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Realism
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March 26
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Chapter 19
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Anti-Realism
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March 28
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Chapter 20
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The Modern
Theatre
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April 2
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Play Reading Due Dates:
Play readings are due by the following dates.
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Oedipus the King
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Sophocles
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February 24
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Hamlet
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Shakespeare
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March 9
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Tartuffe
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Moliere
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March 30
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Ghosts
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Ibsen
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April 20
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Play
Production Dates:
Play reviews are due the Friday following the
close of a show.
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Becky’s New Car
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Steven Dietz
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7:30PM, Feb
28-March 3;
2:00PM March 4
Hartung Theatre
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A Funny Thing Happened on the Way to the Forum
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Burt Sherman and
Larry Gelbart
w/music by
Stephen Sondheim
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7:30PM April
26-28, May 3-5;
2PM April
29
Hartung
Theatre
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Course Calendar:
(Remember, this is an Ideal Goal; there may be
some changes as the semester develops.)
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Week & Date
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Class Activity
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Assignment
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1
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W
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01/11
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Orientation,
Introduction
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F
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01/13
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Art, Theatre,
Conventions &
Practices
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Chapters 1-2
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2
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W
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01/18
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The Audience &
The Critic
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Chapters 3-6
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F
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01/20
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Tour of Hartung
Theater
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3
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M
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01/23
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Producer,
Director,
Processes
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Chapters 7-8
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W
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01/25
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Groups meet and
organize
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F
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01/27
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The Actor
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Chapter 9
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4
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M
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01/30
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Acting Exercises
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W
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02/01
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Acting Exercises
Cont.
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F
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02/03
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Acting Exercises
Cont.
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5
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M
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02/06
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The Designer
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Chapter 10
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W
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02/08
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Test #1 Review
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F
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02/10
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Test #1
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6
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M
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02/13
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No Class (KCACTF Fest)
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W
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02/15
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No Class (KCACTF
Fest)
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F
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02/17
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No Class (KCACTF
Fest)
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7
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M
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02/20
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Greek Theatre
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Chapter 11
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W
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02/22
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Roman Theatre
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Chapter 12
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F
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02/24
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Oedipus Rex Quiz and Disc
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8
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M
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02/27
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Asian and
Medieval Theatr
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Chapter 13
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W
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02/29
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Groups Meet
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F
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03/2
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Groups Meet
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9
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M
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03/05
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Italian
Renaissance
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Chapter 14
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W
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03/07
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English Renaissance
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Chapter 15
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F
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03/09
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Hamlet Quiz and Discuss
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Becky’s New Car
Review Due
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10
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M
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03/12
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No Class (Spring
Break)
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W
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03/14
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No Class (Spring Break)
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F
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03/16
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No Class (Spring Break)
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11
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M
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03/19
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Hamlet Day
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W
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03/21
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Neoclassicism
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Chapter 16
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F
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03/23
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Restoration
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Chapter 17
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12
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M
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03/26
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Realism
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Chapter 18
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W
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03/28
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Anti-realism
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Chapter 19
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F
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03/30
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Tartuffe Quiz
and Disc.
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13
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M
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04/02
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Modern Theatre
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Chapter 20
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W
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04/04
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Test #2 Review
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F
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04/06
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Test #2
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14
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M
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04/09
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Groups Meet
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W
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04/11
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Groups Meet
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F
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04/13
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Groups Meet
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15
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M
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04/16
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Groups Meet
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W
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04/18
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Groups Meet
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F
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04/20
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Ghosts
Quiz and Disc
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16
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M
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04/23
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Groups Meet
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W
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04/25
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Groups Meet
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F
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04/27
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Groups Meet
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17
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M
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04/30
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Groups Meet
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W
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05/02
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Groups Meet
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F
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05/04
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Groups Meet
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18 Finals Week
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Tue
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05/08
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FINAL EXAM-Group Presentations, Peer Reviews Due
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F
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05/11
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Last day for Funny thing
Happened on the
Way to the Forum
Review
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