Introduction to the Theatre

THE 101 / University of Idaho

 

Syllabus Final Project Section Info Review Guidelines Theatre Department Resources Course Notes Calendar Course Text

 

Greek Civilization & Drama

Historical Background:

Ionians             Merchant Traders / Sailors

Civilization Grounded in Maslow’s Needs Hierarchy:

            Five Tiers of Building Human Needs

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Power, Territory, & Conquest        Gain

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Food & Shelter                               Protection

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Physical Relationships                   Needs

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Religion                                          Spiritual

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Tribal & Personal Respect             Belonging

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Self Actualization

Rituals and aspects of Dionysus represent these needs.

Dionysus is the God of Wine / Fertility / Crops / Germination / Yield.

Rituals began as gatherings in threshing circles at harvest time, designed to give hanks and prayers to Dionysus.   These rituals were the re-inactments and story telling of the death and resurrection of Dionysus.   They were called a Choric Dithyramb.   The Choric Dithyramb was a ritual in which supplicants sang songs and sacrificed goats.   The tragoida or ‘final goats song’ develops into the word for Greek drama, tragedy.

Ritual Symbols

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Phallus -Fertility

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Goat -Death and appeasement

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Wine - Resurrection

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Song - Voice and Prayers

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Circle - Female

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Alter - Decorum / Presentation

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Phallus – Male

The ritual (Choric Dithyramb) is said to have developed into a bigger & bigger spectacle with the priest on the alter taking on the lions share of story telling and the acolytes eventually serving the role of the chorus.

In 534 BCE Thespis created ‘characterization’ and thus became the first "actor".   The Greek name for actors was hypocrites and traditionally actors are called thespians.

Greek Civilization was philosophical (Man is the Ultimate measure)

Education was available for all Greek Men.

Important Greek Concepts:

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Polis (Country of Citizens, Men only)

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Democracy (Representation)

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Dike (Justice)

Political City States create a division of power (eg. Attica / Athens)

Initiates Competitive Spirit in Commerce, Sports, and Art

In addition it fuels the Peloponnesian Wars (404-490 BCE)

 Theatrically, the concept of City States creates dramatic competitions.   The City Dionysia in Athens offered 5 Days of celebration, composed of 3 days of plays, where each day presented 3 tragedies + 1satyr play of a particular playwright.

 These festivals were managed by an appointed government official called the archon.

The companies were also protected financially by a Choregos or ‘angel’.

Audiences :segregated and unruly (Football)

Playwrights:

Aeschylus - 2nd Actor / Dialogue (pro/ant)

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Idealized the Human Condition

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Showed Man at his best

Sophocles - 3rd Actor /Dynamics and Scenery

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Pshychological motivations of Humans

Euripides - Reactionary and ‘Drama’

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Admiral

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Controversial and Anti-War

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Realistic Characters and Dialogue

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Questioned the role of the Gods and Greek Justice

Aristophanes – Comedy

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Disguised Social Satire

Greek Theatrical Conventions:

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No violence

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No Women

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Ceremony State Law

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Use of Chorus

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Unity of Parts (Poetic)

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Economy of Roles

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Deus Ex Machina

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Conventionalized Acting

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No Curtain / No Intermission

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Spectacle

Costumes:

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Kothurni - Stilt Shoes

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Masks - Characters

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Onkos - Wigs

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Chiton - Basic Frock

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Himation -Early Toga / Robe

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Chalymus - Cape

Theatron:  ("Seeing Place")

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Audience

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Orchestra            Thymele and Phallus

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Skene               Paraskene, Rampe, Parados

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Machina

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Pinakes - Screens

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Periaktoi - Revolving Screens

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Eccyclema - Wagon Units

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Kranes