Bibliography for MEDEA:

A. Euripides, Tragedy, Medea

 

Choose two articles / book chapters to read.

William Arrowsmith, "A Greek Theater of Ideas," Arion 2.3 (1963):32-56.

Shirley Barlow, "Stereotype and Reversal in Euripides’ Medea," G&R 36 (1989):158-171.

Shirley A. Barlow, "Euripides’ Medea: A Subversive Play?" in Alan Griffiths (ed), Stage Directions: Essays in Ancient Drama in Honour of E. W. Handley, Institute of Classical Studies, University of London School of Advanced Study, BICS Suppl. 66 (1995):36-45.

E. M. Blaiklock, "Nautical Imagery of Euripides’ Medea," CP 50 (1955): 233-7.

Sue Blundell, Women in Ancient Greece, Cambridge, 1995.

Deborah Boedeker, "Euripides’ Medea and the Vanity of LOGOI," CP 86 (1991):95-112.

Deborah Boedeker, "Becoming Medea: Assimilation in Euripides," in Clauss and Johnston (1997):127-148.

Page duBois, Centaurs and Amazons: Women and the Pre-History of the Great Chain of Being, Ann Arbor, 1982.

Page duBois, Torture and Truth, New York and London, 1991.

Elizabeth B. Bongie, "Heroic Elements in the Medea of Euripides," TAPA 107 (1977):27-56.

Synnøve des Bouvrie, Women in Greek Tragedy: An Anthropological Approach, Symbolae Osloenses suppl. 27 (1990).

Anne Pippin Burnett, "Medea and the Tragedy of Revenge," CP 68 (1973):1-24.

T.V. Buttrey, "Accident and Design in Euripides’ Medea," AJP 79 (1958): 1-17.

R. G. A. Buxton, Persuasion in Greek Tragedy, Cambridge, 1982.

L. B. Carter, The Quiet Athenian, Oxford, 1986.

James J. Clauss and Sarah Iles Johnston, Medea: Essays on Medea in Myth, Literature, Philosophy, and Art, Princeton, 1997.

C. Collard, M. J. Cropp, K. H. Lee, Euripides, Selected Fragmentary Plays, Warminster, 1995.

N. E. Collinge, "Medea vs. Socrates," Durham University Journal 42 (1950):41-7.

N. E. Collinge, "Medea ex Machina," CP 57 (1962): 170-2.

D. J. Conacher, Euripidean Drama: Myth, Theme and Structure, Toronto, 1967.

N. T. Croally, Euripidean Polemic: The Trojan Women and the function of tragedy, Cambridge, 1994.

M. P. Cunnigham, "Medea a)po\ Mhxanh=j," CP 49 (1954):151-60.

Nancy Demand, Birth, Death, and Motherhood in Classical Greece, Baltimore, 1994.

J. Roger Dunkle, "The Aegeus Episode and the Theme of Euripides’ Medea," TAPA 100 (1969): 97-107.

Francis M. Dunn, "Euripides and the Rites of Hera Akraia," GRBS 35 (1994):103-115.

Francis M. Dunn, "Pausanias on the tomb of Medea’s children," Mnemosyne 48 (1995): 348-51.

Michael Dyson, "Euripides Medea 1056-80," GRBS 28 (1987):23-34.

P. E. Easterling, "Constructing the Heroic" in Christopher Pelling, Greek Tragedy and the Historian, Oxford, 1997:21-37.

P. E. Easterling, "The Infanticide in Euripides' Medea" YCS 25 (1977):  177-191.

Alan Elliott (ed.), Euripides, Medea, Oxford, 1969.

J. Peter Euben, Greek Tragedy and Political Theory, Berkeley and Los Angeles, 1986.

Thomas M. Falkner, "Old Age in Euripides’ Medea," CB 61 (1985): 76-8.

Thomas M. Falkner in The Poetics of Old Age in Greek Epic, Lyric, and Tragedy, Norman and London, 1995.

Michel Fartzoff, "Le pouvoir dans Médée," Pallas 45 (1996): 153-68.

N. R. E. Fisher, Slavery in Classical Greece, Classical World Series, London, 1993.

Helene Foley, "Medea’s Divided Self," CA 8.1 (1989):61-85.

Rainer Friedrich, "Medea apolis: on Euripides’ dramatization of the crisis of the polis," in Alan Sommerstein, Stephen Halliwell, Jeffrey Henderson, Bernhard Zimmermann, Tragedy, Comedy, and the Polis, Bari, 1993: 219-39.

Holger Friis-Johansen, General Reflection in Tragic Rhesis, Copenhagen, 1959.

Michael Gagarin, "‘Flow Backward Sacred Rivers’: Tradition and Change in the Classics," CJ 87 (1991-2):361-71.

Leon Galis, "Medea’s Metamorphosis," Eranos XC (1992): 65-81.

Timothy Gantz, Early Greek Myth, Baltimore, 1993.

Yvon Garlan, Slavery in Ancient Greece, 1982 (transl. by Janet Lloyd) Ithaca, 1988.

Peter Garnsey, Ideas of Slavery from Aristotle to Augustine, Cambridge, 1996.

George Gellie, "The Character of Medea," BICS 35 (1988):15-22.

Christopher Gill, Personality in Greek Epic, Tragedy, and Philosophy, Oxford, 1996.

Leon Golden, "Children in the Medea," CB 48 (1971):10-15.

Simon Goldhill, Reading Greek Tragedy, Cambridge, 1986 ("Sexuality and Difference" 107-37).

John Gould, "HIKETEIA," JHS 93 (1973):74-103.

John Gould, "Tragedy and Collective Experience," in M. S. Silk, ed, Tragedy and the Tragic: Greek Theatre and Beyond, Oxford, 1996:217-43.

Bernard Gredley, "The Place and Time of Victory: Euripides’ Medea," BICS 34 (1987):27-39.

J. R. Green, Theatre in Ancient Greek Society, London, 1994.

G. M. A. Grube, The Drama of Euripides, London, 1941: 147-165.

Edith Hall, Inventing the Barbarian: Greek Self-Definition through Tragedy, Oxford, 1989.

Stephen Halliwell, "Between Public and Private: Tragedy and Athenian Experience of Rhetoric," in Christopher Pelling, Greek Tragedy and the Historian, Oxford, 1997:120-141.

Lena Hatzichronoglou, "Euripides’ Medea: Woman or Fiend?" in Mary DeForest (ed), Woman’s Power, Man’s Game: Essays on Classical Antiquity in Honor of Joy K. King, 1993: 178-193.

Jeffrey Henderson, "Women and the Athenian Dramatic Festivals," TAPA 121 (1991): 133--47.

Gail Holst-Warhaft, Dangerous Voices: Women’s Laments and Greek Literature, Routledge, London and New York, 1992.

Sarah Iles Johnston, "Corinthian Medea and the Cult of Hera Akraia," 44-70 in Clauss and Johnston.

Irene J. F. de Jong, "Three Off-Stage Characters in Euripides," Mnemosyne 43 (1990):1-21.

Roger Just, Women in Athenian Law and Life, London and New York, 1989.

Karl Kerenyi, Goddesses of Sun and Moon: Circe/Aphrodite/Medea/Niobe, Irving, TX, 1979.

H. D. F. Kitto, Greek Tragedy: A Literary Study, Garden City, 1954 (1952).

Bernard Knox, "The Medea of Euripides," in Word and Action: Essays on the Ancient Theater, Baltimore, 1979:295-322.

David Kovacs, "On Medea’s Great Monologue (E. Med. 1021-80)," CQ 36 (1986):343-52.

David Kovacs, "Zeus in Euripides’ Medea," AJP 114 (1993): 45-70.

Stuart Lawrence, "Audience Uncertainty and Euripides’ Medea," Hermes 125 (1997):49-55.

John Cuthbert Lawson, Modern Greek Folklore and Ancient Greek Religion: A study in Survivals, New Hyde Park, NY, 1964.

G. E. R. Lloyd, "Right and Left in Greek Philosophy," JHS 82 (1962):56-66.

Michael Lloyd, The Agon in Euripides, Oxford, 1992.

C. A. E. Luschnig, "Interiors: Imaginary Spaces in Alcestis and Medea," Mnemosyne 45 (1992):19-44.

Emily A. McDermott, Euripides’ Medea: The Incarnation of Disorder, University Park, PA, 1989.

Emily McDermott, "Double Meaning and Mythic Novelty in Euripides’ Plays," TAPA 121 (1991):123-32.

Marianne McDonald, A Semilemmatized Concordance to Euripides’ Medea, Irvine, CA, 1978.

James F. McGlew, Tyranny and Political Culture in Ancient Greece, Ithaca (Cornell), 1993.

Louise L. Mead, "A Study in the Medea," G&R 12 (1943):15-20.

Ann Michelini, "Neophron and Euripides’ Medea 1056-80, TAPA 119 (1989):115-135.

M. R. Mezzabotta, "Jason and Orpheus: Euripides Medea 543," AJP 115 (1994):47-50.

Jon D. Mikalson, Honor Thy Gods: Popular Religion in Greek Tragedy, Chapel Hill, 1991.

Sophie Mills, Theseus, Tragedy and the Athenian Empire, Oxford, 1997.

S. P. Mills, "The Sorrows of Medea," CP 75 (1980):289-96.

Judith Mossman, Wild Justice: A study of Euripides’ Hecuba, Oxford, 1995.

Herbert Musurillo, "Euripides’ Medea: A Reconsideration," AJP 87 (1966):52-74.

Rick M. Newton, "Ino in Euripides’ Medea," AJP 106 (1985):496-502.

Josiah Ober and Barry Strauss, "Drama, Political Rhetoric, and Discourse of Athenian Democracy," in John J. Winkler and Froma Zeitlin (edd.), Nothing to Do with Dionysos? Athenian Drama in Its Social Context, Princeton, 1990:237-70.

Stephen Ohlander, Dramatic Suspense in Euripides’ and Seneca’s Medea, New York, Bern, Frankfurt an Main (Peter Lang), American University Studies 6, 1989.

Ruth Padel, "Women: Model for Possession by Greek Daemons," in Images of Women in Antiquity, ed. Averil Cameron and Amelie Kuhrt, Detroit, 1983:3-19.

Ruth Padel, In and Out of Mind: Greek Images of the Tragic Self, Princeton, 1992.

Denys Page (ed.), Euripides, Medea, Oxford, 1938 (1967).

R. B. Palmer, "An Apology for Jason: A study of E’s Medea," CJ 53 (1951):49-55.

Robert Parker, "Myths of Early Athens," in Jan Bremmer, Interpretations of Greek Mythology, London (Routledge) 1987: 187-214.

Orlando Patterson, Freedom in the Making of Western Culture, New York (Basic Books), 1991, "A Woman’s Song: The Female Force and the Ideology of Freedom in Greek Tragedy and Society," 107-132.

Christopher Pelling (ed.), Greek Tragedy and the Historian, Oxford, 1997.

Anthony J. Podlecki, "Polis and monarch in Early Attic Tragedy," in J. Peter Euben, Greek Tragedy and Political Theory, Berkeley and Los Angeles, 1986:76-100.

Pietro Pucci, The Violence of Pity in Euripides' Medea, Ithaca (Cornell University Press), 1980.

Nancy Sorkin Rabinowitz, Anxiety Veiled: Euripides and the Traffic in Women, Ithaca, 1993.

Nancy Sorkin Rabinowitz and Amy Richlin (edd.), Feminist Theory and the Classics, New York and London (Routledge), 1993.

Kristina Rassidakis, "The origins of love, hate, and retaliation in Euripides’ tragedy Medea: a psychodynamic approach," Changes: International Journal of Psychology and Psychotherapy 15 (1997): 220-226.

Kenneth J. Reckford, "Medea’s First Exit," TAPA 99 (1968): 329-359.

Rush Rehm, Marriage to Death: the Conflation of Wedding and Funeral Rituals in Greek Tragedy, Princeton, 1994.

GailAnn Rickert, "Akrasia and Euripides' Medea," HSCP 91 (1987):90-117.

André Rivier, "L’élément démonique chez Euripide jusqu’en 428," in Euripide: Entretiens sur antiquité classique 6:43-72.

William Sale, Existentialism and Euripides, Melbourne, 1977. Chapter II 13-34.

Seth Schein, "Philia in Euripides’ Medea," Cabinet of the Muses: Essays on Classical and Comparative Literature in Honor of Thomas G. Rosenmeyer, Mark Griffiths and Donald Mastronarde (edd.), 1990:57-73.

E. Schwartz, Scholia in Euripidem, vol. 2, Berlin, 1891 (reprinted 1966).

Charles Segal, Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba, Durham and London (Duke University Press), 1993.

Charles Segal, "Greek Tragedy: Writing, Truth, and the Representation of the Self," Mnemai:Classical Studies in Memory of Karl K. Hulley, edited by Harold D. Evjen, Scholars Press, Chico, 1984:41-67.

Charles Segal, "Euripides’ Medea: Vengeance, Reversal, and Closure," Pallas 45 (1996):15-44.

Charles Segal, "On the Fifth Stasimon of Euripides’ Medea," AJP 118 (1997): 167-184.

G. M. Sifakis, "Children in Greek Tragedy," BICS 26 (1979):67-80.

Pavlos Sfyroeras, "The Ironies of Salvation: The Aigeus Scene in Euripides’ Medea," CJ 90 (1995):125-142.

Michael Shaw, "The Female Intruder: Women in Fifth Century Drama," CP 70 (1975):255-66.

M. S. Silk (ed.), Tragedy and the Tragic: Greek Theatre and Beyond, Oxford, 1996.

Stephen J. Simon, "Euripides’ Defense of Women," CB 50 (1973-4):39-42.

R. K. Sinclair, Democracy and participation in Athens, Cambridge, 1988.

Alan H. Sommerstein, Stephen Halliwell, Jeffrey Henderson, Bernhard Zimmermann, Tragedy, Comedy, and the Polis, Bari, 1993: 219-39.

Alan H. Sommerstein, Aeschylus, Eumenides, Cambridge, 1989.

G. R. Stanton, "The End of Medea’s Monologue: Euripides, Medea 1078-80," RhM 130 (1987): 97-106.

Robert Franklin Sutton, The Interaction between Men and Women Portrayed on Attic Red Figure Pottery, University of North Carolina dissertation, 1981 (University Microfilms no. 8125624).

Katerina Synodinou, On the Concept of Slavery in Euripides, Ioannina, 1979.

Brian Vickers, Towards Greek Tragedy, London, 1973.

Margaret Visser, "Medea: Daughter, Sister, Wife, Mother. Natal Family versus Conjugal Family in Greek and Roman Myths about Women," Greek Tragedy and its Legacy, edited by Martin Cropp, Elaine Fantham, S. E. Scully.

Joseph Vogt, Ancient Slavery and the Ideal of Man, Oxford (Blackwell), 1974 (tr. Thomas Wiedemann).

T. B. L. Webster, The Tragedies of Euripides, London, 1967.

T. E. J. Wiedemann, Slavery, Greece and Rome: New Surveys in the Classics, 19, Oxford 1987.

David Wiles, Tragedy in Athens: Performance space and theatrical meaning, Cambridge, 1997.

John Wilkins, "Aspasia in Medea?," LCM 12 (1987):8-10.

Margaret Williamson, "A Woman’s Place in Euripides’ Medea," in A Powell, Euripides, Women, and Sexuality, Routledge, London and New York, 1990: 16-31.

C. W. Willink, "Euripides, Medea 1-445, 371-85," CQ 38 (11988):313-23.

Ian Worthington, "The Ending of Euripides' 'Medea'," Hermes 118 (1990):502-5.