Recent Bibliography

C. Fred Alford, The Psychoanalytic Theory of Greek Tragedy, New Haven, 1992.

Shirley Barlow, "Stereotype and Reversal in Euripides’ Medea," G&R 36 (1989):158-171.

Sue Blundell, Women in Ancient Greece, Cambridge, 1995.

Deborah Boedeker, "Euripides’ Medea and the Vanity of LOGOI," CP 86 (1991):95-112.

Deborah Boedeker, "Becoming Medea: Assimilation in Euripides," in Clauss and Johnston (1997):127-148.

Page duBois, Centaurs and Amazons: Women and the Pre-History of the Great Chain of Being, Ann Arbor, 1982.

Page duBois, Torture and Truth, New York and London, 1991.

L. B. Carter, The Quiet Athenian, Oxford, 1986.

James J. Clauss and Sarah Iles Johnston, Medea: Essays on Medea in Myth, Literature, Philosophy, and Art, Princeton, 1997.

Nancy Demand, Birth, Death, and Motherhood in Classical Greece, Baltimore, 1994.

P. E. Easterling, "Constructing the Heroic" in Christopher Pelling, Greek Tragedy and the Historian, Oxford, 1997:21-37.

J. Peter Euben, Greek Tragedy and Political Theory, Berkeley and Los Angeles, 1986.

Thomas M. Falkner in The Poetics of Old Age in Greek Epic, Lyric, and Tragedy, Norman and London, 1995.

N. R. E. Fisher, Slavery in Classical Greece, Classical World Series, London, 1993.

Rainer Friedrich, "Medea apolis: on Euripides’ dramatization of the crisis of the polis," in Alan Sommerstein, Stephen Halliwell, Jeffrey Henderson, Bernhard Zimmermann, Tragedy, Comedy, and the Polis, Bari, 1993: 219-39.

Timothy Gantz, Early Greek Myth, Baltimore, 1993.

Yvon Garlan, Slavery in Ancient Greece, 1982 (transl. by Janet Lloyd) Ithaca, 1988.

Peter Garnsey, Ideas of Slavery from Aristotle to Augustine, Cambridge, 1996.

Christopher Gill, Personality in Greek Epic, Tragedy, and Philosophy, Oxford, 1996.

John Gould, "HIKETEIA," JHS 93 (1973):74-103.

John Gould, "Tragedy and Collective Experience," in M. S. Silk, ed, Tragedy and the Tragic: Greek Theatre and Beyond, Oxford, 1996:217-43.

J. R. Green, Theatre in Ancient Greek Society, London, 1994.

G. M. A. Grube, The Drama of Euripides, London, 1941: 147-165.

Edith Hall, Inventing the Barbarian: Greek Self-Definition through Tragedy, Oxford, 1989.

Stephen Halliwell, "Between Public and Private: Tragedy and Athenian Experience of Rhetoric," in Christopher Pelling, Greek Tragedy and the Historian, Oxford, 1997:120-141.

Helen Hatzichronoglou, The Ideal of Arete and its Treatment in Euripides, Baltimore, 1985, Johns Hopkins dissertation, Univ. Microfilms 8518491.

Lena Hatzichronoglou, "Euripides’ Medea: Woman or Fiend?" in Mary DeForest (ed), Woman’s Power, Man’s Game: Essays on Classical Antiquity in Honor of Joy K. King, 1993: 178-193.

Richard Hawley, "The Dynamics of Beauty in Classical Greece" in Dominic Montserrat, Changing Bodies, Changing Meanings: Studies on the human body in antiquity, London (Routledge), 1998:37-54.

Jeffrey Henderson, "Women and the Athenian Dramatic Festivals," TAPA 121 (1991): 133--47.

Gail Holst-Warhaft, Dangerous Voices: Women’s Laments and Greek Literature, Routledge, London and New York, 1992.

Irene J. F. de Jong, "Three Off-Stage Characters in Euripides," Mnemosyne 43 (1990):1-21.

Roger Just, Women in Athenian Law and Life, London and New York, 1989.

Karl Kerenyi, Goddesses of Sun and Moon: Circe/Aphrodite/Medea/Niobe, Irving, TX, 1979.

David Kovacs, "Zeus in Euripides’ Medea," AJP 114 (1993): 45-70.

John Cuthbert Lawson, Modern Greek Folklore and Ancient Greek Religion: A study in Survivals, New Hyde Park, NY, 1964.

G. E. R. Lloyd, "Right and Left in Greek Philosophy," JHS 82 (1962):56-66.

Michael Lloyd, The Agon in Euripides, Oxford, 1992.

Emily A. McDermott, Euripides’ Medea: The Incarnation of Disorder, University Park, PA, 1989.

James F. McGlew, Tyranny and Political Culture in Ancient Greece, Ithaca (Cornell), 1993.

Jon D. Mikalson, Honor Thy Gods: Popular Religion in Greek Tragedy, Chapel Hill and London, 1991.

Judith Mossman, Wild Justice: A study of Euripides’ Hecuba, Oxford, 1995.

Josiah Ober and Barry Strauss, "Drama, Political Rhetoric, and Discourse of Athenian Democracy," in John J. Winkler and Froma Zeitlin (edd.), Nothing to Do with Dionysos? Athenian Drama in Its Social Context, Princeton, 1990:237-70.

Daniel Ogden, Greek Bastardy in the Classical and Hellenistic Periods, Oxford, 1996.

Ruth Padel, "Women: Model for Possession by Greek Daemons," in Images of Women in Antiquity, ed. Averil Cameron and Amelie Kuhrt, Detroit, 1983:3-19.

Ruth Padel, In and Out of Mind: Greek Images of the Tragic Self, Princeton, 1992.

Robert Parker, "Myths of Early Athens," in Jan Bremmer, Interpretations of Greek Mythology, London (Routledge) 1987: 187-214.

Orlando Patterson, Freedom in the Making of Western Culture, New York (Basic Books), 1991, "A Woman’s Song: The Female Force and the Ideology of Freedom in Greek Tragedy and Society," 107-132.

Christopher Pelling (ed.), Greek Tragedy and the Historian, Oxford, 1997.

Anthony J. Podlecki, "Polis and monarch in Early Attic Tragedy," in J. Peter Euben, Greek Tragedy and Political Theory, Berkeley and Los Angeles, 1986:76-100.

Nancy Sorkin Rabinowitz, Anxiety Veiled: Euripides and the Traffic in Women, Ithaca, NY, 1993.

Nancy Sorkin Rabinowitz and Amy Richlin (edd.), Feminist Theory and the Classics, New York and London (Routledge), 1993.

Rush Rehm, Marriage to Death: the Conflation of Wedding and Funeral Rituals in Greek Tragedy, Princeton, 1994.

William Sale, Existentialism and Euripides, Melbourne, 1977. Chapter II 13-34.

Charles Segal, Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba, Durham and London (Duke University Press), 1993.

Charles Segal, "Greek Tragedy: Writing, Truth, and the Representation of the Self," Mnemai:Classical Studies in Memory of Karl K. Hulley, edited by Harold D. Evjen, Scholars Press, Chico, 1984:41-67.

Charles Segal, "Euripides’ Medea: Vengeance, Reversal, and Closure," Pallas 45 (1996):15-44.

M. S. Silk (ed.), Tragedy and the Tragic: Greek Theatre and Beyond, Oxford, 1996.

R. K. Sinclair, Democracy and participation in Athens, Cambridge, 1988.

Alan H. Sommerstein, Stephen Halliwell, Jeffrey Henderson, Bernhard Zimmermann, Tragedy, Comedy, and the Polis, Bari, 1993: 219-39.

Katerina Synodinou, On the Concept of Slavery in Euripides, Ioannina, 1979.

Brian Vickers, Towards Greek Tragedy, London, 1973.

Margaret Visser, "Medea: Daughter, Sister, Wife, Mother. Natal Family versus Conjugal Family in Greek and Roman Myths about Women," Greek Tragedy and its Legacy, edited by Martin Cropp, Elaine Fantham, S. E. Scully.

Joseph Vogt, Ancient Slavery and the Ideal of Man, Oxford (Blackwell), 1974 (tr. Thomas Wiedemann).

David Wiles, Tragedy in Athens: Performance space and theatrical meaning, Cambridge, 1997.

Margaret Williamson, "A Woman’s Place in Euripides’ Medea," in A Powell, Euripides, Women, and Sexuality, Routledge, London and New York, 1990: 16-31.

Additions to the Bibliography, 1995

Humphreys, Sarah C. Anthroplogy and the Greeks, London, 1978.

Luschnig, C. A. E., Tragic Aporia: A Study of Euripides’ Iphigenia at Aulis, Berwick, Victoria, Australia, 1989.

Zeitlin, Froma, "Thebes: Theater of Self and Society in Athenian Drama," in Winkler and Zeitlin, Nothing to Do with Dionysos?, Princeton, 1990.