Euripides’ Alcestis

Bibliography

* Important or worthwhile books or articles available at the U of I library

Aélion, Rachel, Euripide, héritier d’Eschyle, Paris, 1983 (2 volumes).

Albini, Umberto, "L’Alcesti di Euripide," Maia 13 (1961):3-29.

Arrowsmith, William (tr.), Euripides, Alcestis, Oxford, 1974.

*Arrowsmith, William, "A Greek Theater of Ideas," Arion 2.3 (1963):32-56.

*Barlow, Shirley, The Imagery of Euripides: A Study of the Dramatic Use of Pictorial Language, London, 1971.

Bassi, Karen, "The Actor as Actress in Euripides’ Alcestis," Women in Theatre, Cambridge, 1989:19-30.

Bell, J. M., "Euripides’ Alkestis: A Reading," Emerita 48 (1980):43-75.

Bergson, Lief, "Randbemerkungen zur Alkestis des Euripides," Eranos 83 (1985):7-22.

Betts, G. G., "The Silence of Alcestis," Mnemosyne 18 (1965): 181-2.

*Beye, Charles Rowan, "Alcestis and her Critics," GRBS 2 (1959): 109-27.

*Beye, Charles Rowan (tr.), Alcestis by Euripides: A Translation with Commentary, Englewood Cliffs, NJ, 1974.

Blumenthal, H. J., "Euripides, Alcestis 285ff. and the Authenticity of Antigone 905ff.," CR n.s. 24 (1974):174-5.

Boedeker, Deborah, "Euripides’ Medea and the Vanity of LOGOI," CP 86 (1991):95-112.

*des Bouvrie, Synnřve, Women in Greek Tragedy: An Anthropological Approach, Symbolae Osloenses suppl. 27 (1990).

Bradley, Edward M., "Admetus and the Triumph of Failure in Euripides’ Alcestis," Ramus 9 (1980):112-127.

Burgess, Dana L., Late Euripidean Narrative, Bryn Mawr Diss., 1984 (Univ. Microfilms 8419984).

Burkert, Walter, "Greek Tragedy and Sacrificial Ritual," GRBS 7 (1966):87-121.

*Burnett, Anne Pippin, Catastrophe Survived: Euripides’ Plays of Mixed Reversal, Oxford 1971.

Burnett, Anne Pippin, "The Virtues of Admetus," CP 60 (1965):240-55.

Buxton, R. G. A., "Euripides’ Alkestis: Five Aspects of an Interpretation," Papers given at a Colloquium on Greek Tragedy in Honour of R. P. Winnington-Ingram, Lyn Rodley (ed.), 1987:17-31.

*Castellani, Victor, "Notes on the structure of Euripides’ Alcestis," AJP 100 (1979):487-96.

Clement, Paul A. "The Cults of Pherae and the Artemis Pheraea Goddess," AJA 36 (1932):40-41.

*Conacher, D. J., Euripidean Drama: Myth, Theme and Structure, Toronto, 1967.

Conacher, D. J., "Some Questions of Probability and Relevance in Euripidean Drama," Maia 24 (1972):199-207.

Conacher, D. J. "Rhetoric and Relevance in Euripidean Drama," AJP 102 (1981):3-25.

Conacher, D. J., "Structural Aspects of Euripides’ Alcestis," Greek Poetry and Philosophy: Studies in Honour of Leonard Woodbury (ed. by Douglas Gerber) Scholars Press 1984:73-81

*Conacher, D. J. Euripides Alcestis, Warminster, 1988.

*Cropp, Martin , E. Fantham and S. Scully, Greek Tragedy and its Legacy: Essays presented to D. J. Conacher, Calgary 1986.

*Dale, A. M. (ed.), Euripides Alcestis, Oxford, 1954.

Dale, A. M. "The Creation of Dramatic Characters," Collected Papers, Cambridge, 1969:272-280.

Diano, Carlo Alberto, "L’Alcesti di Euripide," Euripide, Letture critiche, edited by Oddone Longo, Milan, 1976:70-78.

*Dyson, M. "Alcestis’ Children and the Character of Admetus," JHS 108 (1988):13-23.

Ehrenberg, Victor, The People of Aristophanes: A Sociology of Old Attic Comedy, Cambridge, MA, 1951.

Elferink. L. J., "The Beginning of Euripides’ Alcestis," Acta Classics 25 (1982):43-50.

Euben, J. Peter, Greek Tragedy and Political Theory, Berkeley, 1986.

Falkner, Thomas M., "Euripides and the Stagecraft of Old Age," The Many Faces of Drama, edited by Karelisa Hartigan, vol. 5 of the University of Florida Department of Classics Comparative Drama Conference Papers (1985):41-45.

Fitzgerald, G. J., "The Euripidean Heracles: An Intellectual and a Coward?," Mnemosyne 44 (1991):85-95.

Fowler. R. L., "The Rhetoric of Desperation," HSCP 91 (1987):5-24.

Franco, Carlo, "Una Statua per Admeto," MD 13 (1984):131-136.

von Fritz, Kurt, "Euripides’ Alkestis und ihre moderen Nachahmer und Kritiker," Antiker und Moderne Tragödie, Berlin, 1962: 256-321.

Garland, Robert, The Greek Way of Death, Ithaca, 1985.

*Garner, Richard K. "Death and Victory in Euripides’ Alcestis", CA 7 (1988):58-71. [WSU]

Gellrich, Michelle, Tragedy and Theory: The Problem of Conflict since Aristotle, Princeton, 1988.

Golden, Leon, "Euripides’ Alcestis: Structure and Theme," CJ 66 (1970):116-125.

Golden, Mark, ‘Pais, "Child" and "Slave",’ L’Antiquité Classique, (1985):91-104.

*Gregory, Justina, "Euripides’ Alcestis," Hermes 107 (1979):259-270.

Griffith, Mark, "Euripides Alkestis 636-641," HSCP 82 (1978): 83-5.

de Grummond, W. W., "Heracles’ Entrance: An Illustration of Euripidean Method," Eranos 81 (1983):83-90.

Guépin, J.-P., The Tragic Paradox: Myth and Ritual in Greek Tragedy, Amsterdam, 1968.

*Halleran, Michael, "Alkestis redux," HSCP 86 (1982):51-3.

Halleran, Michael, "Text and Ceremony at the Close of Euripides’ Alkestis," Eranos 86 (1988):123-129.

*Hamilton, Richard, "Prologue Prophecy and Plot in Four Plays of Euripides," AJP 99 (1978):277-302.

*Hartigan, Karelisa V., Ambiguity and Self-Deception: The Apollo and Artemis Plays of Euripides, Peter Lang, Frankfurt am Main, 1990.

Hathorn, Richmond Y., Greek Mythology, Beirut, 1977.

Havelock, Eric A., "The Socratic Self as it is parodied in Aristophanes’ Clouds," YCS 22 (1972):1-18.

Heath, Malcolm, The Poetics of Greek Tragedy, Stanford, 1987.

Hourmouziades, Nicolaos C., Production and Imagination in Euripides: Form and Function of the Scenic Space, Athens, 1965.

Huddilston, J. H., The Attitude of the Greek Tragedians toward Art, London, 1898.

*Humphreys, Sarah C., "Death and Time," chapter 7 of The Family Women and Death, London, 1983:145-164.

Italie, G., "De Euripide Aeschyli Imitatore," Mnemosyne 4.3 (1950):177-82.

Jens, Walter, Die Bauformen der Griechischen Tragodie, Munchen, 1971.

*Jones, D. M., "Euripides’ Alcestis," CR 62 (1948):50-55.

de Jong, Irene J. F., "Three Off-Stage Characters in Euripides," Mnemosyne 43 (1990):1-21.

Ketterer, Robert C., "Machines for the Suppression of Time: Statues in Suor Angelica, The Winter’s Tale, and Alcestis," Comparative Drama (Kalamazoo) 24 (1990):3-23.

*Kott, Jan, "The Veiled Alcestis", The Eating of the Gods: An Interpretation of Greek Tragedy (translated by B. Taborski and E. J. Czerwinski), London, 1970:78-108.

Lattimore, Richmond, Introduction to his translation of Alcestis, in Euripides I of The Complete Greek Tragedies, edited by David Grene and Richmond Lattimore, Chicago, 1955.

Lesky, Albin, Alkestis, der Mythus und das Drama, Vienna and Leipzig, 1925.

Lesky, Albin, "Der angeklagte Admet," Maske und Kothurn 10 (1964):203-216, reprinted in Gesammelte Schriften, Berne and Munich, 1966:281-294.

Lesser, Wendy, His Other Half: Men Looking at Women through Art, Cambridge, MA, 1991.

*Lloyd, Michael, "Euripides’ Alcestis," G&R 32 (1985) 119-131.

Lloyd-Jones, Sir Hugh, Greek Epic, Lyric, and Tragedy: The Academic Papers of Sir Hugh Lloyd-Jones, Oxford, 1990.

Lombard, D. B., "Aspects of in Euripides," Acta Classica 28 (1985):5-12.

Loraux, Nicole (tr. A. Foster), Tragic Ways of Killing a Woman, Harvard, 1987.

Lorch, Lavinia E., "The Lyrics of the Alcestis: Dramatic Survival in a Drama of Ambiguity," Helikon 28 (1988):69-127.

Luschnig, C. A. E., "Euripides’ Alcestis and the Athenian oikos," Dioniso 60 (1990):9-39.

Luschnig, C. A. E., "Interiors: Imaginary Spaces in Alcestis and Medea," Mnemosyne 45 (1992):19-44.

Luschnig, C. A. E., "Playing the Others: The Mythological Confusions of Admetus," Scholia 1 n.s. (1992):12-27.

Luschnig, C.A.E., The Gorgon’s Severed Head:Studies of Alcestis, Electra, and Phoenissae, Leiden, 1995.

McCoughey, "Talking about Greek Tragedy," Ramus 1 (1972):26-47.

McDermott, Emily A., Euripides’ Medea: the Incarnation of Disorder, Penn State Univ. Press (1989).

McDonald, Marianne, Terms for Happiness in Euripides, University of California (Irvine) diss. 1975 (Univ. Microfilms 76-7241).

McDonald, Marianne, A Semilemmatized Concordance to Euripides' Alcestis, TLG Publications, 1977.

*Michelini, Ann Norris, Euripides and the Tragic Tradition, University of Wisconsin Press, 1987.

Mills, Suzanne P. Euripides’ Medeia: A Study in Dramatic Mythopoeia, Stanford dissertation, 1976 (Univ. Microfilms 77-7133).

Nielsen, Rosemary M., "Alcestis: A Paradox in Dying," Ramus 5 (1976):92-102.

Ogle, M. B., "The House-Door in Greek and Roman Religion and Folklore," AJP 32 (1911):251-71.

*O’Higgins, Dolores, "Above Rubies: Admetus’ Perfect Wife," Arethusa 26 (1993):77-98.

*Padel, Ruth, "Women: Model for Possession by Greek Daemons," in Averil Cameron and Amelie Kuhrt (edd.), Images of Women in Antiquity, Detroit, 1983:3-19.

*Padel, Ruth, "Making Space Speak" in Winkler and Zeitlin, 1990: 336-365.

Paduano, Guido, La formazione del mondo ideologico e poetico di Euripide: Alcesti-Medea, Pisa, 1968.

*Parry, Hugh, The Lyric Poems of Greek Tragedy, Toronto, 1978.

Poliakoff, Michael, "Euripides Alkestis 1029-32," Mnemosyne 35 (1982):141-3.

Powell, Anton (ed.), Euripides, Women, and Sexuality, London and New York, 1990.

Rabinowitz, Nancy Sorkin, Anxiety Veiled: Euripides and the Traffic in Women, Ithaca, NY, 1993.

Rehm, Rush, The AGON and the Audience: A Study of Euripides’ Medea, Heracles, and Ion, Stanford diss. 1985 (Univ. Microfilms 86-02530).

Rehm, Rush, "Medea and the Logos of the Heroic," Eranos 87 (1989):97-115.

*Rehm, Rush, "The Bride from the Grave," Marriage to Death: the conflation of Wedding and Funeral Rituals in Greek Tragedy, Princeton, 1994:84-96.

Roberts, Deborah H., Apollo and his oracles in the Oresteia, Gottingen, 1984, Hypomnemata 78.

Riemer, Peter, Die Alkestis des Euripides: Untersuchungen zur tragischen Form, Athenaum, Frankfurt am Main, 1990.

Rivier, André "Sur un motif de l’Alceste d’Euripide (1966)" Études de Littérature Grecque, Geneva, 1975:93-100.

Rivier, André "En Marge d’Alceste et de quelques interpétations récentes" (1972-3), reprinted in Études de Littérature Grecque, Geneva, 1975:101-138.

Rivier, André, Essai sur Le Tragique d’Euripide (2nd edition) Paris, 1975.

Rosenmeyer, Thomas G., The Masks of Tragedy, Austin, 1963.

Said, Suzanne, "L’Espace D’Euripide," Dioniso 59.2 (1989), 107-136.

Schein, Seth L. "Philia in Euripides’ Alcestis," Metis 3 (1988):179-206.

Schwartz, Ella, Aspects of Orpheus in Classical Literature and Mythology, Harvard dissertation, 1984.

Schwinge, Ernst-Richard, Die Stellung der Trachinierinnen im Werk des Sophokles, Hypomnemata 1, Göttingen, 1962.

Schwinge, Ernst-Richard, "Zwei sprachliche Bemerkungen zu Euripides’ Alkestis," Glotta 48 (1970):36-39.

Scodel, Ruth, " ADMETOU LOGOS and the Alcestis," HSCP 83 (1979), 51-62.

Scully, S. E., "Some Issues in the Second Episode of Euripides’ Alcestis, 134-149" (in Cropp et al.).

Seaford, Richard (ed.), Euripides Cyclops, Oxford, 1984.

Segal, Charles, "Greek Tragedy: Writing, Truth, and the Representation of the Self," Mnemai: Classical Studies in Memory of Karl K. Hulley, edited by Harold D. Evjen, Scholars Press, Chico, CA, 1984:41-67.

Segal, Charles, Orpheus: The Myth of the Poet, Baltimore, 1989.

*Segal, Charles, "Euripides’ Alcestis: Female Death and Male Tears," CA 11 (1992):142-158.

*Segal, Charles, Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba, Durham and London (Duke University Press), 1993

Seeck, Gustav Adolf, Unaristotelische Untersuchungen zu Euripides: Ein motivanalytischer Kommentar zur 'Alkestis', Heidelberg, 1985.

Seidensticker, Bernd, Palintonos Harmonia: Studien zu komischen Elementen in der griechischen Tragödie, Hypomnemata 72, Göttingen, 1982.

Sheppard, J. T., "Admetus, Verrall, and Professor Myres," JHS 39 (1919):37-47.

Sicking, C. M. J., "Alceste: tragedie d’amour ou tragedie du devoir?" Dioniso 41 (1967):155-165.

Sifakis, G. M., "Children in Greek Tragedy," BICS 26 (1979):67-80.

Simon, Bennett, Mind and Madness in Ancient Greece, Ithaca, 1978.

Simon, Bennett, Tragic Drama and the Family, New Haven, 1988.

Smith, Gail, "The Alcestis of Euripides: An Interpretation," RFIC 111 (1983):129-145.

Smith, Wesley, "The Ironic Structure in Alcestis," Phoenix 14 (1960):127-45.

Stanton, G. R., "Philia and xenia in Euripides’ `Alkestis’," Hermes 118 (1990):42-54.

Sutton, Dana F., The Greek Satyr Play, Meisenheim am Glan, 1980.

Sutton, Dana F., "The Relation between Tragedies and Fourth Place Plays in Three Instances," Arethusa 4 (1971):55-73.

Sutton, Robert F., The Interaction between Men and Women Portrayed on Attic Red Figure Pottery, 1981 (Univ. Microfilms no. 8125624).

*Thury, Eva M., "Euripides’ Alcestis and the Athenian Generation Gap," Arethusa 21 (1988):197-214.

Vernant, Jean Pierre, Myth and Society among the Greeks, London, 1983 (first published in French in 1965).

Verrall, A. W., Euripides the Rationalist: A Study in the History of Art and Religion, Cambridge, 1895.

Warden, John (ed.), Orpheus: The Metamorphoses of a Myth, Toronto, 1982.

Webster, T. B. L., "Some Psychological Terms in Greek Tragedy," JHS 77 (1957):149-54.

*Webster, T. B. L., The Tragedies of Euripides, London, 1967.

Westlake, H.D. Thessaly in the Fourth Century, London, 1935.

*Wilson, John R., Twentieth Century Interpretations of Euripides’ Alcestis, Englewood Cliffs, NJ, 1968.

*Winkler, John J. and Zeitlin, Froma I. (edd.), Nothing to Do with Dionysos?, Princeton, 1990.

Winnington-Ingram, R. P., "Euripides: Poietes Sophos," Arethusa 2 (1969):127-42.

*Zeitlin, Froma, "Playing the Other: Theater, Theatricality and the Feminine in Greek Drama," in Winkler and Zeitlin (1990): 63-93.