|
M.A. Theses |
Author |
Title |
|
2004 |
Cheryl A. Dudley |
Feminist revision of scripture in Marilynne Robinson's
Housekeeping |
|
2004 |
Ali Ayed Saeed Al-Shahrani |
Error analysis of Saudi Arabian writers |
|
2004 |
Ianina Arnold |
Dialogism, Carnival and Identity in Mikhail Bulgakov's
The Master and
Margarita |
|
2004 |
Daniel Christianson |
The One and the Many: Jewish Figuration in Charles Dickens
|
|
2004 |
Allison Machlis |
"Nature erring from itself": The Unnatural Transgressions of Desdemona and
Jessica in William Shakespeare's Othello and
The Merchant of
Venice |
|
2004 |
Christopher Ritter |
Annular fiction: Recursion in the Works of David Foster Wallace
|
|
2004 |
Patrick Rolland |
Nowhere and Everywhere: Migration and National Allegory in Salman Rushdie's
Midnight's Children |
|
2003 |
Andrew J. Ploeg |
Deconstruction and the Divine: Literature, Theosophy, and the Language of
Truth |
|
2003 |
Rebecca M. Goodrich |
Hard proposition: the Klondike diary and imaginary letters of
Roscoe Ellsworth Young |
|
2003 |
Gail Z. Eckwright |
Old West/new West in Molly Gloss's The jump-off creek and
Wild life |
|
8/22/2003 |
|
|
|
|
Jerry Entze |
"A Hard, Straight Picture": The Adapting of Steinbeck to Film |
|
|
Michael Smith |
The Sacred Profanity of Nothing: John Donne's
Paradoxes and The First Anniversary |
|
5/17/2003 |
|
|
|
|
Jesse Thomas |
Musical Intermediality in the Novels of Anthony
Burgess |
|
12/20/2002 |
|
|
|
|
Leisa McCormick |
Negotiating Roles in the On-Line Classroom |
|
|
Charles Noble |
The Hunter Figure in American Culture: Land
Relationships and Representations of Violence |
|
8/23/2002 |
|
|
|
|
Tabetha Bissegger |
From Orphan to Angel: The Evolution of Female
Identity in Eighteenth- and Nineteenth-Century British Fiction |
|
|
Brian Clark |
Moving Through the Dark: Emily Dickinson as
Wisdom Poet |
|
|
Gwen Sullivan |
Guides for the Lost and Wandering: Functions of
Riddles and Music in The Hobbitt and The Lord of the Rings |
|
5/18/2002 |
|
|
|
|
Danielle Jones |
It is Her Eye/I That Lingers: The Crypt,
Self-Portrait, and Specter in Linda Bierds' The Profile Makers |
|
|
Clayn Lambert |
Liminal Progressions and Rhetorical Development
in The Life, History, and Unparalleled Sufferings of John Jea, the
African Preacher, Written and Compiled by Himself. |
|
|
Molly Michaud |
Conquering the "Regne of Femenye": The Dynamics
of Power in Chaucer's Knight's Tale |
|
|
Lisa Tauber-Freeman |
The Heart of Motherhood and Motherhood's Heart:
Reading the 'Maternal' in Mary Shelley's The Last Man and
Lodore |
|
12/21/2001 |
|
|
|
|
Deokja Kim |
Survey of Korean Students' Attitudes Toward an
Emphasis on English in Korea |
|
8/10/2001 |
|
|
|
|
Monica Hafer |
Beowulf, Zarathustra, and Batman: The
Communicative Nature of Texts Through Time |
|
|
Shawn Rider |
New Medium, New Masters: Daniel Clowes and the
Making of American Comics Literature |
|
5/19/2001 |
|
|
|
|
Yulia Borisova |
"Exploring the 'Frontiers of Consciousness':
Music in T. S. Eliot's Four Quartets and Andrey Bely's
Second
Symphony |
|
|
Nathanael Gilbert |
Dreams of Paradise, Visions of Utopia: Myth
Making in Three Prose Romances by William Morris |
|
|
Laura Gruber |
Writing the West: The Literary Landscapes of
Mary Hallock Foote |
|
|
Patricia Thomas |
'All That Men Desire': The Plurality of Gender,
Desire and Form in Christopher Marlowe's "Hero and Leander" |
|
|
Thomas Woodley |
Moving Toward Stasis: A Textual-Ethical
Consideration of the "Elect" in John Fowles'
The Magus |
|
8/4/2000 |
|
|
|
|
William Boni |
Contemporary Falconry Literature as Nature
Writing: An Ecocritical Interpretation |
|
|
Kent Sweeney |
A Reader Response Criticism of the Good Samaritan
Parable |
|
5/13/2000 |
|
|
|
|
Jennifer Cellio |
From Scientific Realism to Scientific Pessimism:
The Evolution of Thomas Hardy's Tragic Fiction |
|
8/6/1999 |
|
|
|
|
William Dickson |
Integrating the Ecological Self: Henry David
Thoreau's Study of Humans in Nature |
|
|
Heather Mather |
Living with the Sibyl: Caves, Crypts, and Bodies
of Trauma in Mary Shelley's The Last Man |
|
5/15/1999 |
|
|
|
|
Reenie Arnold |
The "Master of Deformation": Langston Hughes and
African-American Humanity and Individuality |
|
|
Mary Bolin |
Grace: A Contrastive Analysis of a Biblical
Semantic Field |
|
|
Kurt Bouman |
Back Again: An Investigation of Repeated
Academic Failure in Freshman Composition |
|
|
Craig Henley |
Quantum Language: Life, Literature, and
Postmodern Moment |
|
|
Audra Manion |
Christopher Marlowe's Tamburlaine I and II:
Contradictions in Humanist Thought |
|
|
James Mayo |
James Welch's The Death of Jim Loney: A
Postcolonial Interpretation with Ethnographic Background |
|
|
Amy Minervini |
Female Flirtation: The Destabilizing Discourse
in Shakespeare's The Taming of the Shrew and in Thomas Hardy's Far
From the Madding Crowd, The Return of the Native, and
Jude the
Obscure |
|
|
Jeffrey Santarlasci |
Ethics and ESL Writers: Instructor Attitudes
Towards Composing Practices |
|
|
Kelly Wingert |
"The Dizziness of Freedom": Interpreting the
Romantic Sublime Through Kierkegaard |
|
12/18/1998 |
|
|
|
|
Katherine Craine |
Discourse Comprehension in Hypertext |
|
|
Jeffrey Nelson |
A System for the Evaluation of ESL Web Sites |
|
|
Daniel Vanek |
Craftsmanship, Vision, and Poetic Truth: W. S.
Merwin, Aesthetics, and His Critical Reception |
|
7/31/1998 |
|
|
|
|
Jennifer Hoene |
'In wand'ring mazes lost': Chaos and History in
Paradise Lost |
|
|
Katsunori Konno |
Bridging the Gap between the TOEFL Reading
Section and Skills and Strategies Needed in Academic Contexts: A Comparison
of Faculty Surveys and a Test Item Analysis |
|
5/16/1998 |
|
|
|
|
Clyde Northrup |
J. R. R. Tolkien's Theory of Imagination: Some
Echoes in Giovanni Pico della Mirandola, Sir Philip Sidney, and Samuel
Taylor Coleridge |
|
|
|
|
|
12/19/1997 |
|
|
|
|
Wendy Secrist |
George Eliot and Subversion of Victorian Marriage
Ideals |
|
8/1/1997 |
|
|
|
|
Cindy Bell |
Resting at the Knees of Silence |
|
|
Hanmin Yi |
Contrastive Phonology and Hierarchies of
Difficulties in Korean and English |
|
5/17/1997 |
|
|
|
|
Carol Rasmussen |
The Nature of the Sublime in Longinus and the
Gospel of John |
|
8/2/1996 |
|
|
|
|
Eric Isaacson |
Still Remains |
|
5/18/1996 |
|
|
|
|
Kevin Donovan |
"As clene and eek as cleer as
ye were born":
Chaucer's Pardoner, the Mother church, and Psychoanalysis |
|
|
Thomas Drake |
Community Theatre and Other Poems |
|
|
Scott W. Erickson |
Defining the Tourist Sublime:
Yellowstone Park and the American Romantic Ideal |
|
|
Rebeca Fromdahl |
A Wilderness of Time and Space:
Leslie Marmon Silko's Almanac of the Dead |
|
|
Kenneth Johnston |
Wild Water, Drifting Sentiments |
|
|
Jay Salisbury |
"Imaged 'Mid Mortality": Percy
Shelley and the Rhetorical Structures of a Romantic Ideology |
|
|
Paul Sogge |
Controlling History: Harriet
Beecher Stow and the Byron Controversy |
|
1996 |
Hamako
Furuhata |
Assessment of Japanese students' perception toward
traditional methods vs. the natural approach and total physical response
methods of learning English |
|
|
Tanya Gonzales |
La relación of Álvar Núñez Cabeza de Vaca: its place
in the American literary canon |
|
|
Carol A. Rasmussen |
Nature of the sublime in Longinus and the Gospel of John |
|
|
Sharee Paull |
Negotiating self: a Fanonian reading of Louise Erdrich's
Tracks and The Beet Queen |
|
|
|
|
|
|
|
|
|
8/4/1995 |
John Hendee |
A Sage Companion |
|
1993-1995 |
|
There are some titles missing
here. |
|
5/16/1992 |
|
|
|
|
|
