Alfred, Lord Tennyson, “Charge of the Light Brigade” (1854)

1. Half a league, half a league,
http://poetry.eserver.org/space.gifHalf a league onward,
All in the valley of Death
http://poetry.eserver.org/space.gifRode the six hundred.
"Forward, the Light Brigade!
"Charge for the guns!" he said:
Into the valley of Death
http://poetry.eserver.org/space.gifRode the six hundred.

2. "Forward, the Light Brigade!"
Was there a man dismay'd?
Not tho' the soldier knew
http://poetry.eserver.org/space.gifSomeone had blunder'd:
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die:
Into the valley of Death
http://poetry.eserver.org/space.gifRode the six hundred.

3. Cannon to right of them,
Cannon to left of them,
Cannon in front of them
http://poetry.eserver.org/space.gifVolley'd and thunder'd;
Storm'd at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
http://poetry.eserver.org/space.gifRode the six hundred.

4. Flash'd all their sabres bare,
Flash'd as they turn'd in air,
Sabring the gunners there,
Charging an army, while
http://poetry.eserver.org/space.gifAll the world wonder'd:
Plunged in the battery-smoke
Right thro' the line they broke;
Cossack and Russian
Reel'd from the sabre stroke
http://poetry.eserver.org/space.gifShatter'd and sunder'd.
Then they rode back, but not
http://poetry.eserver.org/space.gifNot the six hundred.

5. Cannon to right of them,
Cannon to left of them,
Cannon behind them
http://poetry.eserver.org/space.gifVolley'd and thunder'd;
Storm'd at with shot and shell,
While horse and hero fell,
They that had fought so well
Came thro' the jaws of Death
Back from the mouth of Hell,
All that was left of them,
http://poetry.eserver.org/space.gifLeft of six hundred.

6. When can their glory fade?
O the wild charge they made!
http://poetry.eserver.org/space.gifAll the world wondered.
Honor the charge they made,
Honor the Light Brigade,
http://poetry.eserver.org/space.gifNoble six hundred.  

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Julia Ward Howe, “Battle Hymn of the Republic” (1862)

Mine eyes have seen the glory of the coming of the Lord:
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fateful lightning of His terrible swift sword:
His truth is marching on.

I have seen Him in the watch-fires of a hundred circling camps,
They have builded Him an altar in the evening dews and damps;
I can read His righteous sentence by the dim and flaring lamps:
His day is marching on.

I have read a fiery gospel writ in burnished rows of steel:
"As ye deal with my contemners, so with you my grace shall deal;
Let the Hero, born of woman, crush the serpent with his heel,
Since God is marching on."

He has sounded forth the trumpet that shall never call retreat;
He is sifting out the hearts of men before His judgment-seat:
Oh, be swift, my soul, to answer Him! be jubilant, my feet!
Our God is marching on.

In the beauty of the lilies Christ was born across the sea,
With a glory in his bosom that transfigures you and me:
As he died to make men holy, let us die to make men free,
While God is marching on. 

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Walt Whitman, “Vigil Strange I Kept on the Field” (1866)

VIGIL strange I kept on the field one night:

 

When you, my son and my comrade, dropt at my side that day,

 

One look I but gave, which your dear eyes return’d, with a look I shall never forget;

 

One touch of your hand to mine, O boy, reach’d up as you lay on the ground;

 

Then onward I sped in the battle, the even-contested battle;

         5

Till late in the night reliev’d, to the place at last again I made my way;

 

Found you in death so cold, dear comrade—found your body, son of responding kisses, (never again on earth responding;)

 

Bared your face in the starlight—curious the scene—cool blew the moderate night-wind;

 

Long there and then in vigil I stood, dimly around me the battlefield spreading;

 

Vigil wondrous and vigil sweet, there in the fragrant silent night;

  10

But not a tear fell, not even a long-drawn sigh—Long, long I gazed;

 

Then on the earth partially reclining, sat by your side, leaning my chin in my hands;

 

Passing sweet hours, immortal and mystic hours with you, dearest comrade—Not a tear, not a word;

 

Vigil of silence, love and death—vigil for you my son and my soldier,

 

As onward silently stars aloft, eastward new ones upward stole;

  15

Vigil final for you, brave boy, (I could not save you, swift was your death,

 

I faithfully loved you and cared for you living—I think we shall surely meet again;)

 

Till at latest lingering of the night, indeed just as the dawn appear’d,

 

My comrade I wrapt in his blanket, envelop’d well his form,

 

Folded the blanket well, tucking it carefully over head, and carefully under feet;

  20

And there and then, and bathed by the rising sun, my son in his grave, in his rude-dug grave I deposited;

 

Ending my vigil strange with that—vigil of night and battlefield dim;

 

Vigil for boy of responding kisses, (never again on earth responding;)

 

Vigil for comrade swiftly slain—vigil I never forget, how as day brighten’d,

 

I rose from the chill ground, and folded my soldier well in his blanket,

  25

And buried him where he fell.

 
   

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Rudyard Kipling, “For All We Have and Are” (1917)


 

For all we have and are,
For all our children's fate,
Stand up and meet the war.
The Hun is at the gate!
Our world has passed away
In wantonness o'erthrown.
There is nothing left to-day
But steel and fire and stone.

Though all we knew depart,
The old commandments stand:
"In courage keep your heart,
In strength lift up your hand."

Once more we hear the word
That sickened earth of old:
"No law except the sword
Unsheathed and uncontrolled,"
Once more it knits mankind,
Once more the nations go
To meet and break and bind
A crazed and driven foe.

Comfort, content, delight -
The ages' slow-bought gain -
They shrivelled in a night,
Only ourselves remain
To face the naked days
In silent fortitude,
Through perils and dismays
Renewd and re-renewed.

Though all we made depart,
The old commandments stand:
"In patience keep your heart,
In strength lift up your hand."

No easy hopes or lies
Shall bring us to our goal,
But iron sacrifice
Of body, will, and soul.
There is but one task for all -
For each one life to give.
Who stands if freedom fall?
Who dies if England live?

 

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Wilfred Owen, “Dulce et Decorum Est” (1918)

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of disappointed shells that dropped behind.

GAS! Gas! Quick, boys!- An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime.
Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues, -
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

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E.E. cummings, “i sing of Olaf glad and big” (1926)

         XXX 

i sing of Olaf glad and big
whose warmest heart recoiled at war:
a conscientious object-or

his wellbelovéd colonel(trig
westpointer most succinctly bred)
took erring Olaf soon in hand;
but--though an host of overjoyed
noncoms(first knocking on the head
him)do through icy waters roll
that helplessness which others stroke
with brushes recently employed
anent this muddy toiletbowl,
while kindred intellects evoke
allegiance per blunt instruments--
Olaf(being to all intents
a corpse and wanting any rag
upon what God unto him gave)
responds,without getting annoyed
"I will not kiss your fucking flag"

straightway the silver bird looked grave
(departing hurriedly to shave) 

but--though all kinds of officers
(a yearning nation's blueeyed pride)
their passive prey did kick and curse
until for wear their clarion        
voices and boots were much the worse,
and egged the firstclassprivates on
his rectum wickedly to tease
by means of skilfully applied
bayonets roasted hot with heat--
Olaf(upon what were once knees)
does almost ceaselessly repeat
"there is some shit I will not eat" 

our president,being of which
assertions duly notified             
threw the yellowsonofabitch
into a dungeon,where he died 

Christ(of His mercy infinite)
i pray to see;and Olaf,too}
preponderatingly because
unless statistics lie he was
more brave than me:more blond than you.

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Robert Lowell, "Waking Early Sunday Morning"  (1964)

O to break loose, like the Chinook
salmon jumping and falling back,
nosing up to the impossible
stone and bone-crushing waterfall –
raw-jawed, weak-fleshed there, stopped by ten
steps of the roaring ladder, and then
to clear the top on the last try,
alive enough to spawn and die.
. . .
O Bible chopped and crucified
in hymns we hear but do not read,
none of the milder subtleties
of grace or art will sweeten these
stiff quatrains shoveled out four-square –
they sing of peace, and preach despair;
yet they gave darkness some control,
and left a loophole for the soul.

When will we see Him face to face?
Each day, He shines through darker glass.
In this small town where everything
is known, I see His vanishing
emblems, His white spire and flag-
pole sticking out above the fog,
like old white china doorknobs, sad,
slight, useless things to calm the mad.
. . .
No weekends for the gods now.  Wars
flicker, earth licks its open sores,
fresh breakage, fresh promotions, chance
assassinations, no advance.
Only man thinning out his kind
sounds through the Sabbath noon, the blind
swipe of the pruner and his knife
busy about the tree of life ...

Pity the planet, all joy gone
from this sweet volcanic cone;
peace to our children when they fall
in small war on the heels of small
war – until the end of time
to police the earth, a ghost
orbiting forever lost
in our monotonous sublime.

_________________________________________________
Bruce Springsteen, “Born in the U.S.A.” (1984)

Born down in a dead man's town
The first kick I took was when I hit the ground
You end up like a dog that's been beat too much
Till you spend half your life just covering up

Born in the U.S.A.
I was born in the U.S.A.
I was born in the U.S.A.
Born in the U.S.A.

Got in a little hometown jam
So they put a rifle in my hand
Sent me off to a foreign land
To go and kill the yellow man

Born in the U.S.A.
I was born in the U.S.A.
I was born in the U.S.A.
I was born in the U.S.A.
Born in the U.S.A.

Come back home to the refinery
Hiring man says "Son if it was up to me"
Went down to see my V.A. man
He said "Son, don't you understand"

I had a brother at Khe Sahn fighting off the Viet Cong
They're still there, he's all gone

He had a woman he loved in Saigon
I got a picture of him in her arms now

Down in the shadow of the penitentiary
Out by the gas fires of the refinery
I'm ten years burning down the road
Nowhere to run ain't got nowhere to go

Born in the U.S.A.
I was born in the U.S.A.
Born in the U.S.A.
I'm a long gone Daddy in the U.S.A.
Born in the U.S.A.
Born in the U.S.A.
Born in the U.S.A.
I'm a cool rocking Daddy in the U.S.A.

__________________________________________________
Yusef Komunyakaa, “Guernica” (2008)

Lightning struck. It left a courtyard of totems
on their backs or kneeling in the midday dusk,

& a German bomber rose among the clouds,
headed for another grid square on a map.

When cries of the burning city reached Picasso
in Paris, a woman's wailing was in his head,

but all the king's men—all the king's horsemen
couldn't mend this mirage of toppled statuary.

He mounted a tall stepladder to reach the top
of his canvas. Black & white, shades of gray—

days of splintered shadows & angry nights
writhed at the painter's feet. All the years

of exile bowed to him, & then time's ashes
drew past & present future perfect together:

Although it was only a replica woven on a wall
at the U.N., before the statesmen could speak

of war, they draped a blue cloth over the piece,
so cameras weren't distracted by the dead child

in her mother's embrace. The severed hand
grips a broken sword. The woman falling

through the floor of a burning house is still
falling. The horse screams a human voice.

The dumbstruck bull pines for the matador.
There's always a fallen warrior whispering

a stone's promise, waiting for a star,
his mouth agape.