Introduction

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Masters of Kathakali

Overview – Asian geography, culture

 India

1 billion people

1/3 the size of the US with over 3 times the population

18 official languages

caste system

Religions:  Hinduism, Islam, Buddhism & Sikhism 

 

Indonesia

Malay Archipelago: 13,600 islands

Mountainous and volcanic

240 million people

300 ethnic groups

250 languages

Religions:  Buddhism, Islam & Hinduism 

 

China

Over 1.3 billion people

The size of the U.S., with 4 times the population

93% Han Chinese

55 ethnic minorities

Languages:  Mandarin, Cantonese, 100’s of minority languages & dialects

Universal written language 

 

Japan

128 million people

Archipelago - 4 major islands

Ethnically & linguistically pure

Mountainous and volcanic

Primary religions:  Buddhism and Shintoism

 

Oceania

Melanesia

Micronesia

Polynesia

20 Pacific island nations

not within the scope of this class

 

Theatrical Expression in Asian Cultures 

Traditional Performance Types 

Elite Court Performances

Folk Theatre

Commercial Theatre

Elite Western Style Drama

 

Relationship of Religion and Performance

             Early Development

Explored mankind’s relationship to the gods

Served or honored the gods

Requested good health or good harvest

Invited the spirits of the sacred world into the temporary world of mankind

Later Development

Dramatized religious beliefs

Taught religious doctrine

Chronicled epic religious myths, legends and stories

Depicted gods, spirits and demons

 

 

Performer Training

The Performer is Central

Stores & maintains performance information

Is the keeper of the tradition

Sometimes improvises significantly during performances

Works within a self-directing ensemble of performers

(often no director in the western sense) 

Training Includes

Mastery of 100’s of movements, songs & stories

Years of study from childhood

Formalized master-pupil relationship

Training within theatrical families for generations 

After Fundamental Training

The performer learns to enact roles

Specializes in typical character types:

Young male hero

Older male authority figure

Young woman

Old woman

Villain

Clown

Demon 

Blending or fusion of elements

Dance

Drama

Song

Storytelling

Human actors

Masked performers

Puppets 

Asian Theatre Influences Western Theatre Artists 

            Bertolt Brecht – Chinese opera – acting techniques / conscious theatricality / episodic play structure 

            Antoin Artaud – Theatre of Cruelty – Balinese Barong trance / kris ceremonies 

            Jean Genet – Chinese Opera – ritual & ceremony / stylized movement / starkly simple theatrical space / visually excessive costumes & makeup 

      Ariane Mnouchkine & The Cirque du Soleil

 

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