Introduction |
|
Overview – Asian
geography, culture India 1 billion people 1/3 the size of the US with
over 3 times the population 18 official languages caste system Religions: Hinduism, Islam, Buddhism & Sikhism Indonesia Malay Archipelago: 13,600
islands Mountainous and volcanic 240 million people 300 ethnic groups 250 languages Religions:
Buddhism, Islam & Hinduism China Over 1.3 billion people The size of the U.S., with
4 times the population 93% Han Chinese 55 ethnic minorities Languages:
Mandarin, Cantonese, 100’s of minority languages & dialects Universal written language Japan 128 million people Archipelago - 4 major
islands Ethnically &
linguistically pure Mountainous and volcanic Primary religions: Buddhism and Shintoism Oceania Melanesia Micronesia Polynesia 20 Pacific island nations not within the scope of this class Theatrical Expression in
Asian Cultures Traditional Performance
Types Elite
Court Performances Folk
Theatre Commercial
Theatre Elite
Western Style Drama Relationship of Religion
and Performance
Early Development Explored
mankind’s relationship to the gods Served
or honored the gods Requested
good health or good harvest Invited the spirits of the sacred world into the temporary world of mankind Later
Development Dramatized
religious beliefs Taught
religious doctrine Chronicled
epic religious myths, legends and stories Depicted
gods, spirits and demons Performer Training The
Performer is Central Stores
& maintains performance information Is
the keeper of the tradition Sometimes
improvises significantly during performances Works
within a self-directing ensemble of performers (often
no director in the western sense) Training
Includes Mastery
of 100’s of movements, songs & stories Years
of study from childhood Formalized
master-pupil relationship Training
within theatrical families for generations After
Fundamental Training The performer learns to enact roles Specializes in typical character types: Young male hero Older male authority figure Young woman Old woman Villain Clown Demon Blending or fusion of
elements Dance Drama Song Storytelling Human actors Masked performers Puppets Asian
Theatre Influences Western Theatre Artists Bertolt
Brecht – Chinese opera – acting techniques / conscious theatricality /
episodic play structure Antoin
Artaud – Theatre of Cruelty – Balinese Barong trance / kris ceremonies Jean
Genet – Chinese Opera – ritual & ceremony / stylized movement / starkly
simple theatrical space / visually excessive costumes & makeup
|