Celluloid Indians:

Native Americans in Popular Film

"Miss Navajo""Shimasani"

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Sapatq'ayn Cinema 2011

Film Analysis Guide                                 Celluloid Indians AIST 320 

Responding to Film
Before you watch a film, think about expectations you may have for it. What do you think will happen? What are your assumptions about genre, plot, characterization, theme? Be sure you respond to the film while watching it, and record your responses (in writing) as soon as you can.

Thematic Elements

Theme and Focus
Theme refers to the unifying central concern of the film, the special focus that unifies the work. A filmmaker may choose to focus on ideas but is just as likely to emphasize the four other major elements: 
1)    
plot
2)     emotional effect or mood
3)  character
4)  style or texture. 

All five elements are present in all films but in any give film, one is predominant.

Focus on Ideas
In most serious films, the action and characters have significance beyond the context of the film itself--significance that helps to clarify some aspect of life, experience, or the human condition. The idea may be communicated directly through a particular incident or stated by a particular character. More often, however, the idea is presented more subtly, and we are challenged to find an interpretation that we feel best fits the film as a whole:

1.  Moral implications
2.  The truth of  human nature
3.  Social problems
4.  The struggle for human dignity
5.  The complexity of human relationships
6.  Coming of age/loss of innocence/growing awareness
7.  A moral of philosophical riddle

Content
Theme: What are the themes of the movie? What point is the director or writer trying to get across?

Ideology
:  What ideas or political leanings does the movie convey? Are there particular philosophies or concepts that influence the message the movie sends?

Culture
:  As a cultural document, a cultural text, what does this movie say about its culture? How does it transmit values? What kinds of ideas and values does it hold up or condemn?

Race/Ethnicity
:  How does the film construct a view of race and/or ethnicity? How do various directors deal with the idea of race and ethnicity? Do Native and white or non-Native directors deal similarly with ideas of race and ethnicity?

Representation of Native Americans
:  What arguments does the film make about Indians? What might be the effect on an individual viewer or mass audience of this argument?

Effectiveness
:  Does the movie “work” as a movie? Why? Why not? What cultural forces might be influencing your criteria of effectiveness?
 

Guides to Watching/Writing about Film

Cues for Watching/Film Terminology